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How to Photograph TV Screens and PC Monitors

how to photograph an image on a tv
Photo By Joni

Tv screens and computers have invaded most of our living spaces including offices. And as photographers we might have to conduct out shoots in such an environment. But many photographers struggle to capture TV/computer screen perfectly.  They end up with black stripes appearing across the TV/computer screen.

photographing television screens
Photo By Samsung Tomorrow

A little bit of background information as to how a TV or CRT, LCD, LED monitor work will help you tackle the problem effectively.  All monitors have a refresh rate at which the screen replaces images on a pixel by pixel basis to make it a moving image. This process is happening continuously every second. Different types of monitors like CRT, LCD etc have different refresh rates.  The main thing to remember is that the shutter speed you set should be slower than the refresh rate of the monitor you are photographing; else you will end up with a black band across the screen, a phenomenon referred to as banding.

photographing tv screen
Photo By Samsung Tomorrow

In case of CRT monitors the refresh rate is 24 times per second, in newer screens it is much faster than this. The best way to go about finding the right shutter speed for any given monitor is to set your camera to shutter priority mode, set a shutter speed of 1/30 th and shoot a trial picture. If there is no banding occurring you may increase the shutter speed and try again, thus by trial and error you could finally find out the fastest shutter speed you can use with a given monitor.

how to photograph computer monitors
Photo By Pablo Ruiz Múzquiz

 Also do keep in mind that the refresh rate could vary from monitor to monitor so a little trial and error is the best option every time.

Using White Balance as a Creative Tool


Camera makes a particular color by mixing primary colors; in each source of light (sunlight, sodium vapor, fluorescent lamp etc.) the proportion of primary colors are present different proportions; this makes the mixing out of order and same subject shot in different lighting sources appear in varying shades. 

While human eye automatically adjusts to all kinds of light; a camera sensor can’t do this by itself. Manipulating the color combination for exact rendition of result is ‘White balancing’; a must if you intend to reproduce colours accurately in your photographs.  

In the days of film; for rendering colors accurately under artificial lights; one had to mount color compensating filters on to the lens, simply choosing the right color filter of right strength could not solve the issue; moreover these filters absorbed a lot of light. All these brought in a whole set of exposure variables to the shooting process; especially when the light levels were low.

Of late, technology has come to the aid of photographers to instantly do the job of white balancing by the press of a button. The setting to manipulate white balance in camera is one of the magic tools that enable the photographer to control the filtering of light without mounting anything on the lens.

People who have started photography in the digital age will not see it as a big deal; just a Change in setting could do the job, cool. In order to truly appreciate the full value of this feature; one should shoot films in complex lighting situations. 

A flash back to the good old ‘film days’; even changing the ISO was not done by pressing a button or rotating a dial. For higher ISO’s one had to load another roll film with a higher ISO rating.  Most professionals when working on important assignments used to take Polaroid shots to confirm that their exposure and white balance were right.

Using White Balance As a Creative Tool


The standard temperature of light is measured in terms of Kelvin. And in order to render colors accurately you need to use the matching Kelvin temperature settings to the light source like the following;

    • Daylight : for shooting in daylight
    • Fluorescent: for shooting under fluorescent lights, it will take away the greenish cast that otherwise appear in the images.
    • Tungsten: for shooing under tungsten lights, it will take away the orange color cast and so on.


When working under complex lighting; where you are not sure about which preset to use; the digital cameras allow you to set custom white balance. This can be done either by dialing in the Kelvin value or by setting a custom white balance from an image. Read more on setting custom white balance here.

Where one’s creative talents so demand; accuracy in rendering colors may not be a priority; in such cases white balance can be deliberately offset to either warm up or cool down our pictures  and thus make certain scenes more pleasant in their particular ambiance. We don’t work for the sake of white balance but for pictures that can catch every eye-ball.

Reminding once more; back in the film days, most photographers had an 81A filter which they used to slightly warm up their images, in this digital era you could achieve the same result by slightly increasing the Kelvin setting or choosing a slightly warmer white balance preset.

 For example when shooting under daylight, setting the white balance to shade or cloudy will adequately warm-up the images. Yeah you guessed it right; this tip could come in handy to increase the saturation of your sunrise/sunset pictures. Similarly when shooting in overcast conditions, shifting the camera to a lower Kelvin setting could emphasize the coldness of the scene with some extra blue provided by white balance setting.

 An easy way to remember it is, the higher the temperature value, the cooler or more bluish the light and lower the temperature value, the warmer or more orange/yellow the light.

White Balance Tips


The ability to set white balance as we wish is equivalent to having a bag of filters, a whole bunch of them, it is a versatile tool so use it for control or for effect. These tips will show how you can capture more compelling images irrespective of the available light source:

Avoid Using the Auto Setting


The main purpose of the auto white balance mode is to render colors accurately, so you might be wondering why I would recommend not using it. The reason is using the auto white balance setting may result in a best- guess situation; where the camera’s sensor tries to guess the temperature of the light.

Often the guess-work may be right but many times it fails; also a slight shift in the camera perspective may make it to set white balance from a different white; it finds in the frame and thus could result in uneven response from frame to frame.

using white balance to render colours accurately
The picture above was captured with a white balance setting of 5000K rendering accurate colours.

If rendering colors in accordance with your perspective; first know the temperature of the light you are working with; use the right preset and dial in Kelvin settings manually for finer control. Using a grey card to set the custom white balance delivers the ultimate result.

Using White Balance As Warming Filter


To warm up your images dial in a higher number on the Kelvin scale. The higher the number the warmer the image will be.

For example if you are shooting in daylight and using  5500 K and need to warm up your images a bit, dial in 6000 k or higher depending upon how warm you need your images to be.

Using White Balance As Warming Filter
The Picture above was captured by setting white balance to 6000K slightly warming up the scene and enhancing the golden tint of sunlight during sunset.

Using White Balance As Cooling Filter


To cool down your images dial in a lower number on the Kelvin scale. The lower the number the cooler the images will appear.

For example if you are shooting in daylight and using  5500 K and need to warm up your images a bit, dial in 4500 k or lower depending upon how cool you need your images to be.

Using White Balance As Cooling Filter
The picture above was captured by setting white balance to 4000K cooling down the entire scene. The warm glow of the setting sunlight is gone from the picture, Had it been a stormy evening with rain clouds this would have been a much better option.

Get it right on spot; 


Photoshop is a good tool and it could save you a lot of trouble by letting you to correct some of the errors that you might have committed on the spot, but remember the more you tweak the images, the more it will affect the quality of the picture. In short; setting the white balance right at the spot is the best way.

Always Shoot RAW


RAW is the best file format available and it lets you choose any white balance post production, it also provides more control over correcting exposure errors. Most of the image editing software has built-in raw converter, hence you no longer need special software to work on raw files.

To make things easier modern digital cameras also have a RAW + JPEG function that allows to capture RAW and JPEG versions of the image simultaneously.  But always remember even if you are shooting in RAW it helps to capture the scene in the right white balance setting.

All artists wish their creations to be the best in the crowd; but technical as well as artistic excellence alone can make a picture stand out; a superb picture is not just born; it is to be delivered taking much pain; only those who are ready to take pains can deliver!

Have a good day. 

Butterfly Photography Tips – Working With Natural Light


Cameras have undergone a world of development in the last few years. They now feature advanced metering systems, auto focus systems, image stabilization systems, better low light performance, have better response times, faster frame rates and also more pixel count than you’ll probably ever need.

With all these advancements they do a much better job than their predecessors at producing proper exposures under varying lighting conditions. You only have to step in once in a while when you realize that what the camera is recommending may not be the right exposure for the job. You could either do it after reviewing your shot or be proactive and adjust settings anticipating camera error so that the one shot you take will be more or less spot on with only minor corrections if any required. 

how to photograph butterflies
Photo By Carlos

But in order to do that one should have a thorough understanding of the various kinds of light one might encounter while working outdoors. Here in this article we will look into these various lighting conditions with special reference to photographing butterflies so that as a photographer you are aware of both the advantages and the occasional pitfalls of the various types of light.

Sunlight


The most common lighting situation you will ever encounter photographing butterflies will be direct sunlight. This is partly because you are working outdoors and it is the only source of light and partly because butterflies are cold blooded insects and they depend upon the sun’s heat for their metabolism to function and so are most active when the sun is up.

Direct sunlight is great lighting for photographing butterflies for a number of reasons, since it is bright it allows you to use fast shutter speeds in combination with narrower apertures and lower ISO’s. Thus improving your chances of getting sharp pictures with sufficient depth of field and without any camera or subject blur. Sunlight also really brings out the colours in the butterflies wings. On the downside you will have too much of contrast and harsh shadows to deal with.

Depending upon the time of the day, the position of the butterfly and the camera in relation to the sun, daylight could produce any of the following lighting conditions.

Top Lighting


butterfly photography tutorial
butterfly photography tutorial

The kind of lighting seen during mid-day with sun shining directly overhead. Very bright, hard light falling at a 90 degree angle to the butterfly produces very dark shadows to deal with. Also chances are more that the background might come out brighter than the subject. The surface in which the butterfly is perched, a leaf or flower could act as a natural reflector bouncing light back and illuminating the butterfly’s underside. This could make a great effect if you are shooting at a parallel or lower angle to the butterfly.

Tips to work with top lighting


Use a reflector or flash to fill in the shadows a bit, adding details and reducing contrast. In this situation a reflector is preferred over flash because if you are using a flash you will have to limit your shutter speed to the cameras sync speed and to compensate might have to use narrower exposures. It might bring most of the background into focus and might be distracting. Also if you could reflect enough light to the butterfly and expose for the added light you could make everything else in the background underexposed by a small margin. This would enhance your images.

Front Lighting


photographing butterflies in the wild
Photo By Vicky De Loach

Front lighting is when you have the sun behind you. Front lighting could produce great images but most of the time the image will appear flat, without texture or fine detail. 

Tips to work with Front Lighting


While working in front lit situations be very careful so that any shadows, either of you, or of your camera does not fall on the butterfly. If it happens chances are that it might immediately take off.

Side Lighting


butterfly photography india
butterfly photography

One of the best lighting conditions available for photography is during sunrise or sunset when the sun is near the horizon. Sunlight during those times have a golden hue to it and it is also coming at an angle and is great as it reveals the texture in the butterfly’s wings.

Tips to work with side lighting


Light during the golden hours have a natural yellow tint to it. If you have set your camera to Auto White Balance the camera would take away the gold tint and render neutral colours. So it might be a good idea to take it out of Auto and shift to Shade or Cloudy mode which enhances yellows a bit more.

Backlighting

photographing butterflies
photographing butterflies

Back lighting occurs when the butterfly is positioned in between the camera and the light source, in this case sun. Backlighting generally produces a nice rim lighting effect (highlighting along the edges) and looks great on butterflies which has spots on its wings that permit light to pass through them.

Tips to work with backlighting


Adding fill light either using a reflector or flash will help bring details on the side facing the camera.

Cloudy Day Light. 


butterfly
butterfly

One of the best lighting conditions to photograph butterflies is when there are clouds in the sky. They act as a giant diffuser making the otherwise harsh sunlight soft. As a result there are no harsh shadows, less contrast and it is ideal lighting to capture saturated colours and very fine detail.

Tips for shooting in Cloudy Day Light


The comparatively lower light levels will call for slower shutter speeds, wider apertures or higher ISO’s. Also if there are rainclouds and chances of rain then most butterflies seek out shelter and will not be active. So be prepared for some low light/high ISO shooting.

Shade


butterfly photography
butterfly photography

Some butterflies prefer sunny areas whereas some prefer shade. It’s just their nature; moreover even butterflies who like sunlight will take refuge in shade when conditions become too hot.

Tips for shooting in Shade


Photographing butterflies in the shade is a tricky task. Be prepared to supplement available light with flash or a reflector.

Dappled Light


butterfly photography tips
butterfly photography tips

Dappled light occurs in shaded areas where sunlight streams in through portions of scene. It is one of the most challenging lighting conditions to work with requiring much technique. Often the contrast difference between the light areas and the dark areas will be too big for the camera to handle.

Tips for shooting in Dappled Light


You best chances of making a good photograph in dappled light is when you have a reflector or flash to throw in light to the shade and balance it with the bright areas. The trick is to set the flash to a low power setting (just enough to match the brightness of the lighter areas) and even out the lighting.

butterfly photography ideas
butterfly photography ideas

This article is intended to give people who are beginners in butterfly photography a fair idea of what it is like shooting in the open. Although it might be difficult at first to deal with different lighting conditions, as you grow in experience your mind automatically stores formulas that worked and also the ones that did not work and so later on when you encounter a particular lighting condition your decision will be backed with numerous examples shot in similar conditions and so chances are you will get what you want without much effort. But to reach such a stage it is necessary to acquire the much needed shooting experience.

How to photograph flowers

We all love flowers, they are beautiful and have lots of colours in them, the perfect subject to hone our photography skills; moreover they just sit there not moving, so getting a good flower shot should be a no-brainer right? Wrong! Getting good flower shots is no easy task; it’s an art that requires great skill and practice to master. Here in this article we will discuss tips to help you take your flower photography to the next level.

flower photography
Photo by Massimiliano

Where to Get Great Flowers to Shoot


If you happen to have access to a garden full of flowers, great; if not don’t worry, a visit to your local florist is all you need to do to get fresh specimens in their prime just waiting to be shot. You will have a wide variety of flowers to choose from and they are not very expensive too.

When to Shoot Flowers

flower photography rain
Photo By Leyla S. Ismet

If you are shooting indoors then you could shoot anytime, but if you are planning to shoot outside then you should consider the following tips seriously.


  • Shoot flowers earlier in the day:- early morning, before the sun has is fully up is the best time for shooting flowers, the flowers will be lit by soft light reflecting from the sky or clouds and also during that time there is less chance of having strong winds.
  • Cloudy or overcast days: - clouds act as giant diffusers softening the sun’s light reducing contrast and producing richer colours.
  • Immediately after the rains:- the overcast sky after the rains and the raindrops on the petals reflecting the colours of the flowers make it a good time for flower photography. 
  • If it’s a sunny day, try shooting flowers in the mornings or late afternoons to get light at an angle to your subject; using a reflector or a flash to fill in shadows, using longer focal length lenses to isolate your flowers from surroundings, positioning the flowers so that its backlit etc are techniques that work well during such occasions.


Fake the Rain

flower photography ideas
Photo By Denis Collette

Buy a small spray bottle that will easily fit in your camera bag, fill it with water and spray the flowers…. instant rain. You could get some lovely drops of water on your flower petals with just a couple of quick sprites.

If you need precise control over the size and position of your water droplets on the flower, then buy a small syringe and now you can place the right kind of droplets at the perfect places. 

Using Longer Focal length lenses to Shoot Flowers

Photo By Rosemary

It is just a common misconception that you need a true macro lens to shoot flowers, I have often found that longer focal length lenses in the range of 200mm – 400mm make very good choices for flower photography as they could really isolate your flowers from everything else in the scene and also blur the background beautifully making the subject stand out in the frame.

Turn Your Tele-Photo Lens into a Tele Macro

flower photography tips
Photo By Len Burgess

Adding a close up lens to the front of your tele photo lens will allow it to focus at much closer distances and thus magnify the subject even more. They are comparatively inexpensive to buy when compared to dedicated macro lenses but image quality may take a hit especially towards the corners.

Use a Macro Lens to Get Really Close to Your Flowers

how to photograph flowers
Photo By Tiwago

The only way to get really close up shots of tiny flowers is the use a true macro lens. A true macro lens is one which could go to life size or 1:1 magnification. Other than its magnification capabilities macro lenses are incredibly sharp and are designed to perform well at very short focusing distances. So if you are serious about flower photography then getting a true macro lens is the way to go.

Photographing Flowers on a Black Background

photographing flowers on a black background
Photo By Jeff S

You can make the flower really stand out and thus create very dramatic compositions by shooting flowers against a completely black background. One can create a black background in two different ways;
 One method to get a black background is to have a black surface as background for the flower (black velvet works best), place the flower a few feet away from the background, make sure there is not much light reaching the background so as to register any details and shoot. 

The second approach does not need any background material; instead it works by completely eliminating any ambient light from the exposure and totally lighting the flower with artificial light. The trick is to set your camera at its sync speed, ISO at 100 and adjust aperture till you get your frame totally dark, now adjust flash/strobe power to perfectly illuminate your subject.

Photographing Flowers on a White Background

photographing flowers on a white background
Photo By madamepsychosis

To photograph flowers against a white background you will need a white surface (white seamless paper will do) which is properly lit. The amount of light falling on the background should at least match the amount of light hitting the subject.  You could either light your flower and background separately or place your flower very close to the background so both are lit evenly by the same light source. One easy way to achieve a perfect white background is to use one of your lights (softbox mounted) as your background so now you have complete control over lighting on both subject and background.

To create a white background in a shot you need not necessarily find a perfectly white surface, even middle gray could be rendered perfectly white by overexposing the background. In fact the trick to getting perfect white as background is to overexpose the background by one or two stops.

Lighting for Indoor Flower Photography


Shooting flowers indoors is relatively easy since you have complete control on most elements like lighting and wind. You could either light up your flowers using flash or strobes. Or simply use diffused light coming from a window. If you plan to use window light for photographing flowers the following tips might be helpful

Using Window Light to Photograph Flowers

  • Choose a window that does not receive direct sunlight.
  • If the window have frosted glass instead of plain glass then it’s even better.
  • It doesn’t matter if the window is dirty in fact it makes the light even softer.
  • If you need to further soften or reduce the amount of light you can hang a curtain on the window. (Shower curtains and white bed sheets works really well in such scenarios).
  • Place the flowers as close to the window as possible.
  • Place the flowers and the camera so that light is coming at an angle (side lighting).

Photographing Flowers in the Field - Stopping the Wind


photographing flowers in the field
Photo By Rosemary

While shooting outdoors, you have absolutely no control over the nature’s elements and are completely under their mercy…. Well not completely. Wind is a flower photographers worst enemy, it is very frustrating having set up your shot, camera at the ready sitting solidly on a tripod, macro lens mounted, all settings go, waiting for the wind to subside allowing the flower to stay still. The old photographers trick of using their own body or of their assistants, their camera bags or such other stuff as shields against the wind is only helpful in a limited way. One could try shooting at very fast shutter speeds hoping to freeze the motion, or let wind be part of the scene by using a slow shutter speed to show the swaying of flowers.

Tips for Composing Flower Photographs

flower photography composition tips
Photo By Xavier


Don't shoot down on flowers; if you take your flower photographs from a standing position looking down at them you will only get average shots. Get down on you r knees, lie down on the ground, do whatever it takes but make sure you take a shot with your camera parallel to the flower and one with the camera down below the flowers shooting up at them. If you do that you are guaranteed some fascinating angles you rarely see and believe me it will add a lot more visual interest to your shots.

Three components that constitute the Soul of Outdoor Photography


There are several factors that work in tandem to make outdoor work especially landscape photography interesting. Though all photographers work to make their pictures most striking only the ones who understand the principles of outdoor photography succeed. An amazing picture is that which successfully conveys the intended message to the viewer. It is where sound knowledge to take care of the most relevant elements comes in to play. Here we will discuss three of the major components that distinguish a great photograph from the rest. An interesting photograph should be able to effectively convey:

outdoor photography landscape
Photo By David Kingham

1. A sense of Scale
2. A sense of Place and
3. A sense of Magic

Conveying a Sense of Scale;

outdoor photography tutorial
Photo By Joshua Paul Shefman

As photographers; all of us would have had chances to be in situations quite overwhelming by the scale of the things around us. They might be either cliffs, mountains, thundering waterfalls or even manmade structures. We clicked with awe and hoped to capture the entire grandeur of the scene around us in to our frames. But when we finally go review the photographs, it would be an understatement to say that we were disappointed; ‘shattered dreams’ would be more appropriate!

Thus we discovered - the hard to digest- fact; that translating an immense physical location into 4 * 6 or 8 * 10 prints is not an easy task. Analyzing the picture we will find that the picture failed because it could not convey the sense of scale to the viewer. In this case; we need not be losers anymore. A sense of scale could easily be conveyed by adding an element; the size of which the viewers could easily comprehend. For example we want to picture a big elephant; nearby it add the picture of its mahout (the man who takes care of the animal); without that man in the frame; our ‘big’ elephant would be just an ‘ordinary’ one!

A snippet; Guruvayur Kesavan was a legendary elephant attached to Guruvayur Temple in the state of Kerala. It was famous for its extraordinary size and grandeur; at the time of its death several write-ups and photos appeared in the media; in picturing him several photographers erred on conveying the ‘sense of scale factor’; and their viewers were left just to assume that the elephant was a big one! Photographs failed to convey their message.

Finding Your Subject


Look around for interesting subjects; it could be anyone or anything that has to do something with the environment. A person, bird, animal or even structures like a barn, a building or a vehicle that helps to provide a tangible point of reference for the landscape can be a good subject. 

When a subject is included in the frame our eyes automatically gravitate towards it and everything else fades back a little. Adding a subject to your photographs of Big Places not only adds a sense of scale, but it heightens viewer’s interest in the photo.

landscape with people
Photo By Tobi

Photographs are most successful when subject; they have included interacts with the environment. It is with this interaction -between the subject and the environment-; the overall photo becomes the message and engages the viewer by telling a story.

Speaking about finding subjects, one of the best subjects you could ever find is a person; picturing a poverty stricken place in Africa or a war ravaged place in Afghanistan; is not complete without the affected human being and the situation in which he/she is in. 

Subject; not too close.


Placing the person too close to the camera will only make matters worse, as distortion causes the person to appear larger than life or somewhat cartoon like; while everything else in the frame appearing like miniature scale models. 

Organize your frame so that the subject/person gets some distance from the camera; making the size of the other elements comparable with the size of the person. Moving so close you make yourself a part of it. You and your eye should work for the viewer. In other words you should get more identified with the viewer in catching their eyeballs; not to become a part of the problem!

Subject standing out; background uncluttered;

nature photography
Photo By Martin Gommel

When a subject is placed in a cluttered background; it will go unnoticed by the viewer. Along with the subject your message will go down the drain. Place him/her against a clean background; it could be anything a solid bar of color or the blue sky or a barren land; this will make your photograph a striking one. It makes the subject stand out of the background and uses scale as another dimension of the photo.

Conveying a Sense of Place in Outdoor Photography

outdoor photography tutorial
Photo By Eric Leslie

Conveying a sense of place is important as it shows the viewer where you really are. It is always a good idea to start your job with a wide angle shot so that your story gets anchored within the environment. 

A wide angle shot can be used to introduce the viewer to what the subject’s world looks like. 
Remember, it also gives clues to the character of the subject as it is heavily influenced or affected by where he/she lives. The initial wide shot works on multiple levels, establishing the scene, introducing the subject and gives subtle hints on the character of the subject.

An outdoor photographer should give hint of the spot where he/she is; but for this trying to include all the objects make the picture rather cluttered. When there are too many elements that compete for the viewer’s attention; the viewer gets distracted from the real theme which the photographer intended to convey. 

The trick to avoid it is; to focus your mind and think of the most important element that caught your eye, you’d want to convey to your viewer what’s the magic that attracted you to that locale. So isolate the element that made you pick-up the camera in the first instance; make it the main subject of your photograph. Frame it in such a way so that other elements in the frame will only complement the subject and not compete with it; your picture will convey the essence of the environment; the viewer will catch it at the first glance.

Conveying a Sense of Magic in Outdoor Photography


Capturing the play of light on the subject and the environment; its interaction with the scene creates a visual magic; in fact this magic is the soul of outdoor photography. 

outdoor photography
Photo By Justin Balog

A girl sipping her cup of tea while the Grand Canyon lay stretched to infinity; she just sits on a rock on one ridge; it is morning; rising sun has painted a good part of the horizon in gold; one huge ridge in front casts its shade on the girl leaving her forehead; the gold paints the front and back of her hair. Whole atmosphere is cool and she waits for her hot coffee to cool down; while casts a look at the surroundings; anybody would wish to be in her place; any photographer would wish to have an opportunity for such a shot!

Photo By Kerry Sanders

Successful outdoor photographers have this uncanny ability to be at the right place at the right time consistently. “God must have given them some sort of sixth sense!” you might envy him. That man’s ‘sixth sense’ is nothing but his dedication to the work; thorough subject knowledge, perseverance, technique and occasional luck.

There are various elements that an outdoor photographer should pay attention to, the time of the day and time of year, season, and weather conditions. Landscapes would look different at different times of the day also across seasons. The sun’s position also keeps changing during the day depending on the time of the year; all these variables create very different settings of the same scene for a creative outdoor photographer to capture.

The golden hour:– hour just before and immediately after sunset are the favorite time of shoot for outdoor photographers; during that time sun rays will have a golden (yellow) tint to them; and it also strikes the earth’s surface at an angle producing long shadows. 

 There are various online sources that tell you the position of the sun in any corner of the earth at any given time. So you could have a fair idea of how your location or natural feature will be lit.

 An understanding of the various tools employed by outdoor photographers to negate some of the challenges of outdoor photography like using polarizing filters to control reflections, glare, increase saturation and using graduated neutral density filter to overcome limitations of dynamic range etc. would also go a long way in making the most out of any situation.

Bonus Tip: Create Interest – Make them want more!


Here are a few tips to make your photos command the attention of the viewers and make them want more.

Keep Things Simple


Make your compositions simple and elegant, remember photography is an art of exclusion, only include those that actually contribute towards the intent of the story that you wish to tell.

Capture your subject interacting with its surroundings;


Make sure that in your pictures the main subject is interacting with the environment and is not simply staring into the camera. Often a simple gesture creates a spark of interest in what could have been a boring photo.

Create Interest by Using Contrasting Colors


Contrasting colors can be used to create interest in your photographs.

Shoot During Golden Hours

The hour right before sunrise or right after sunset is called the golden hour and is considered the best time for outdoor photography. 

Click at the Right Moment


There are things that our naked eyes cannot see; or even if we have seen could not deciphered its details. Through a lens we see as well as make the viewer see; even common things becoming wonderful subjects; that they would have never seen in their entire life time. 

One doesn't know when a really amazing scene appears; you can freeze such a magical moment for ever. Magic doesn't just happen; we have to make it! Opportunity doesn't come and knock at our door; you have to go in search of it; knock several doors; in one magical moment; the door may be opened by the thing which we were in search of; click; click; click!

Composition Tips for Butterfly Photography

Photographing butterflies require expertise in many fields, you should know as much about the subject as possible, habits and behaviors of specific species, know how to approach butterflies without disturbing them and more. You should also have complete mastery over the equipment that you are using, camera, lenses, flash etc. One would only be a true master of butterfly photography when he/she already knows what the butterfly he/she is looking at will do next, has the skill to slowly and fluidly approach the butterfly and does not have to fiddle with all the camera controls once in position. So in order to improve your butterfly photography skills you need to concentrate on all these aspects.

It is very difficult for beginners to get great shots of butterflies as they will be overwhelmed by the demands of the situation and will be lucky if they even get a clear shot of the butterfly. Some general tips to help you get started could be found here:- 14 Tips for Photographing Butterflies.

 If you are not sure about how to approach butterflies without scaring them away then you should first go through this post here :- How to Approach Butterflies.

As one gathers experience, most of the things become second nature and that is when you start producing aesthetically pleasing images. The following tips will help you do just that.

Getting your Backgrounds Right


A beautifully blurred background without elements that compete for the viewer’s attention works all the time. Even better if you can find one which is of a colour that works well with that of the butterfly you are photographing.

Butterfly Photography
Butterfly Photography

Tips to Blur your Background

  1. Use a wide aperture:- wider apertures produce shallow depth of field and thus helps blur the background.
  2. Use a longer focal length lens:– the longer the focal length of the lens you use, the more the blur for any given magnification. It also helps you shoot from a safe distance without scaring away your butterflies thereby exponentially increasing your chances of getting great shots.
  3. Distance from the subject to the background:– the greater the distance from the subject to the background the greater the blur and vice versa.
  4. Subject Magnification:– the more magnified the subject appears in the frame in relation to its background the greater the blur and vice versa. Can also be put as Distance from camera to the subject – the closer you are to your subject the greater the blur and vice versa.


Even before you start your approach towards the butterfly look for patches of colours that is suitable, sometimes you could find a flower, a nicely coloured wall or a patch of green vegetation which would all constitute a good background. Remember as the subject you are shooting is small you don’t need a very big surface to act as background, while moving in closer make sure that you have your butterfly and the intended background properly aligned.

When speaking about backgrounds, one other factor to be aware of are small white objects, or clear patches in vegetation through which light shines in the background as these will invariably pull the viewer’s eye towards them in the final picture.

Getting Foregrounds right while photographing butterflies


Pay special attention to what constitutes your foreground; adding foreground elements could give a sense of depth to the scene and would make for an aesthetically pleasing photograph. But unwanted elements like a dead leaf, a twig or any such thing could be a major distraction. While photographing out in the field you could not always expect to have everything in order so carry a small pruning scissor or knife to remove unwanted obstacles which come in front of your lens, without disturbing your subject. If you are photographing in a public garden or similar place, remember the gardeners won’t always approve of people pruning their plants.

Angle of the Butterfly to the Camera


The angle of the butterfly in relation to the camera is one other aspect that requires attention. Since you do not have control neither over the movement of the butterfly nor over the surroundings it choose to land, the only options available are to align your camera as well as possible or simply wait for the butterfly to align itself with your camera. Ideally one would wish to have the butterfly aligned perfectly perpendicular to the cameras sensor, so that most of the butterfly falls in a single plane of focus and thus enabling you to get a really sharp image even shooting wide open at f/4 or f/5.6. 

butterfly photography tips
Photo By Cédric Fayemendy

However this might not always be the case, many times you will find that the butterfly is at an angle to your camera.  in such situations it is good to remember that getting the whole butterfly in perfectly sharp focus will not always be possible so carefully focus on the butterflies eyes and ensure they are sharp and the rest will be fine because if the eyes are sharp, the viewer will accept areas that are out of focus toward the back of the image.

Get a Different Perspective. 


Most butterfly photographs we see are shot from one angle, from high above as we look down on them, even though a shot from high above could show the beautiful colours, patterns and texture of the butterfly wings, this is the what he have seen endless times so now it could appear too predictable, too boring. Try finding new angles to shoot from, shoot parallel to the butterfly, or shoot from a lower angle looking up, experiment and you will get fresh, interesting results.

butterfly photography tutorial
Photo By Guiss95

Rule of Thirds and the Golden Mean


If you are not sure about where to place the butterfly in the frame then the Rule of Thirds and the Golden Mean could serve as good guidelines.

butterfly photography techniques
Photo By Prem Anandh

Slightly Angle the Butterfly Towards the Corners


Try photographing your butterflies’ angled (facing) towards the corners, this could produce a much more interesting picture than when the butterfly is facing towards the center.

tips for photographing butterflies
Photo By Guiss95

Look for Leading Lines


Look for Lines created by leaves and stems which could be used to lead the viewer’s eyes towards the subject. Our eyes have this tendency to follow lines when we see them, so look for ways to compose your images in such a way that any lines that appear in the frame lead toward our subject the butterfly.

photography butterfly
Photo By Niels Linneberg

Leave More Space in the Direction The Butterfly is Facing

how to photograph butterflies
Photo By Carlos Rubio

Going by the rule of thirds or the golden mean you will be placing your subject slightly off center that means there will be more empty in one direction than the other, compose your shot so that there is more space in the direction the butterfly is looking than the other so that it appears that the butterfly has room to fly and it will be much more appealing to the human brain.

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