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Android App Reviews - See in the dark, night vision and thermal camera apps!



Well, we tried looking into it. There are several night vision, see in the dark and even thermal camera apps and we tried testing them - can we use them to really see in the dark? Well, the answer is mostly no, and we'll get into in a moment. The apps we tried are Night Vision Camera by Fingersoft, Night Vision Cam by andro iX, Night Vision by Crazy Apps Maker and Night Vision Camera by Night Vision Inc.
In addition, we tried Thermal Camera by Fingersoft, Thermal Vision Camera by Mister Borken and Thermal Vision Camera by M-Apps.


Our conclusion is simple. The thermal camera apps do not work, at least not in the way we might think. It's no secret by the way, some say it on their description on Google Play. The smartphone's camera cannot pickup IR wavelengths, so you cannot use the thermal camera apps to see at night. What you get, which is cool in itself, is a real time filter which gives pictures which look like the ones from the Predator movies.

What about the night vision apps? Those apps work a little better. What they do is, increase the light from ambient light sources and they take pictures in green colors, just like in the movies. On our testing, they were able to take reasonable (green tinged) photos in near total darkness.

So, in conclusion, night vision apps do kind of work, just be sure you understand what kind of pics you get.


Of course, Night Vision Camera by Night Vision Inc. prompted us to install AirPush which will put adds on the smartphone's nitification bar and home screen. Of course app developers should earn money for their efforts and ads are a great way to do that, but enough is enough. Ads on the notification bar and home screen is taking this too far.

Camera Lens Corrections - Chromatic Aberrations



chromatic aberration
Photo by: frankenschulz

Chromatic aberration (CA) otherwise known as color fringing or purple fringing appears as unsightly colour fringes near high contrast edges in an image. It is the most varied and complicated lens imperfection, is only visible when the image is viewed at full size in larger screens or in large prints, and is also influenced by the subject matter being photographed. 

What is Chromatic Aberration?


Light is composed of rays of different wave-lengths; color is result of its particular wave-length; the speed of the light also varies depending upon its wavelength. Chromatic aberration occurs when the lens is not able to focus different wave lengths of light on to the exact same focal plane. It can also occur when wavelengths of color are focused at different positions in the focal plane.


lens chromatic aberration
Photo by: Leo Reynolds

Chromatic aberration occurs when the camera lens is not able to focus different wave lengths of light on to the exact same focal plane and/or when wavelengths of color are focused at different positions in the focal plane. Remember different colours of light have different wave lengths and they travel at different speeds. Chromatic aberration may occur due to the fact that focal lengths of different wave lengths are different or due to the lens magnifying different wave lengths differently. The dispersion property of the glass has much to do with determining the amount of chromatic aberration. Due to this phenomenon; images look blurred or with noticeable colored edges (red, green, blue, yellow, purple and magenta) appearing around objects. This aberration is prominent especially in high-contrast situations.

Types of Chromatic Aberrations


Longitudinal or Axial Chromatic Aberration



Longitudinal or Axial Chromatic Aberration
Longitudinal or Axial Chromatic Aberration - Different wave lengths are focused at different focal planes.

Longitudinal chromatic aberration which is also known as ‘bokeh fringing’, occurs when different wavelengths of color do not converge at the same point after passing through a lens. As a result Red, Green, Blue or a mixture of these colors appear around objects. Typically fast prime lenses are more prone to longitudinal chromatic aberration than slower lens. This problem can be minimized by stopping down the lens.


photography chromatic aberration
Photo by: Reinhold Stansich

Lateral Chromatic Aberrations



Lateral or Transverse Chromatic Aberration
Lateral or Transverse Chromatic Aberration - Lens magnifies different wave lengths differently.

Lateral Chromatic Aberration, also known as ‘transverse chromatic aberration’, occurs when different wavelengths of color coming at an angle focus at the same focal plane but at different positions. It appears as opposing dual color fringing of cyan/magenta with a blue/yellow; lateral chromatic aberration is more pronounced towards the corners of the image. Unlike Longitudinal Chromatic Aberration, stopping down the lens does not eliminate Lateral Chromatic Aberration.

Sensor Blooming


camera lens chromatic aberration
Photo by: Bruce Thomson


Sensor blooming is usually found in high resolution compact cameras and some older versions of the same; it appears as blue or purplish color fringing which occurs due to spill over highlight clipping occurring at sensor level. Mostly found with sharp, clipped specular highlights e.g. foliage against blown out sky. Sensor blooming is more apparent when the image is viewed at higher resolutions and is usually un-correctable.

Correcting Chromatic Aberrations



optics chromatic aberration
Photo by: Herve BRY

Chromatic aberrations (C As) spoil image sharpness up to huge extends and reducing it could greatly improve image quality. All types of chromatic aberrations cannot be removed and some of them can only be reduced. Some of the blooming and axial CA will remain in most cases. Photographing true light sources like stars in the night or direct reflections off metal or water may cause aberrations that are hard to be removed. We will discuss about removing distortions in post production in detail in a future article.

Camera Lens Correction – Distortion

lens distortion
Photo by: Etrusia UK


As everyone knows, nothing in the world is perfect and lenses used in camera are no exception; but photographers cannot blame their lenses and sit idle as their pictures falter. They have to face the music get the faults corrected and if possible make some advantage of the imperfections! Here in this article we deal with distortions of the lenses and some tips to contain them.


What is Lens Distortion?


lens corrections
Photo by: Quintendusaer


All lenses except‘Fish eye lenses’ are rectilinear lenses. And they are supposed to reproduce straight lines as being straight in the image, but in reality no lens does it a 100%.This distortion being a deviation from rectilinear projection which makes straight lines appear bending inward or outward, thereby affecting depiction of depth:

Types of Lens Distortion and Their Causes:


The most common types of lens distortions are:

Barrel Distortion



Barrel Distortion
Barrel Distortion

In barrel distortion straight lines in a frame appear to curve outward.

Camera lens barrel distortion
Camera lens barrel distortion

 Barrel distortion is commonly found in wide angle lenses or at the wide end of zoom lenses.

Pincushion Distortion



Pincushion Distortion
Pincushion Distortion

Pincushion Distortion is the opposite of barrel distortion where straight lines appear to curve inward. 


Camera lens pincushion distortion
Camera lens pincushion distortion


Pincushion distortion is commonly found in telephoto lenses or at the telephoto end of zoom lenses.

Mustache distortion



Mustache Distortion
Mustache Distortion

Mustache distortion is a combination of the above two (barrel and pincushion) where there is barrel distortion in the center of the image and pincushion distortion towards the edges. It is a complex distortion which is not common but not rare and makes horizontal lines in the top half of the frame look like a handlebar mustache; hence the name mustache distortion.

Perspective Distortion



perspective distortion
Photo by: Pedro Szekely


With perspective distortion parallel lines appear to converge in the image, it is caused when the camera is not facing these parallel lines perpendicularly or that the camera is not pointed at the horizon.

Technically speaking; perspective distortion is not a true distortion and is a natural characteristic of 3d vision. We all see it with our eyes but the human brain corrects the 3d positioning of objects; hence we don’t perceive these lines as converging.

How to minimize Lens Distortions?


The simplest solution to minimize lens distortion is to place the horizon along the center of a photo. This technique helps minimize the appearance of all three types of distortion.

Correcting Lens Distortions in Post Production



camera lens distortion
Photo by: Dennis Wilkinson


All forms of lens distortions are correctable in post production using most of the popular image editing programs. However this should be done only when it is necessary; for e.g.in landscape photography correcting distortion may not be that important. Architectural photography is a field where distortion is a firm no no.  Better leave post production correction as demanded by the situation.

When correcting distortions using image editors, make sure to turn on the grid overlay feature; it will help you assess whether you have made lines straight and parallel. Correcting distortion is a pretty straight forward and most softwares have separate sliders for barrel/pincushion and perspective distortion both in vertical and horizontal axis.

Disadvantages of Correcting Lens Distortion


Distortion correction is done by either cropping out the curved edges which could affect composition or by redistributing the pixels (image resolution). This redistribution has undesirable consequences. When correcting barrel distortion the center portion of the image gets sharper at the expense of edge sharpness. And when correcting pincushion distortion the opposite happens, here edges get sharper and the center portion will get softer.

Some Background info on distortion - Why does it occur?


The duty of a lens is to projects a three-dimensional scene onto a two-dimensional piece of film or sensor. In this process some geometric properties of the original 3d image may get lost in translation. This problem can be compared to picture a 3d globe showing oceans and continents in to a 2d map where longitude and latitudes bending like bows.

Distortion is primarily the problem of lens designers and they come with two types of lenses as a stop gap solutionto tackle this. One is rectilinear lenses and the other is curvilinear or popularly called fish-eye lenses.


Curvilinear Distortion
Photo by: Evan Leeson


Rectilinear lenses are those in which straight lines in a scene remain straight in an image; while in the   fish- eye lens there is no such attempt made and straight lines at the sides of the frame are allowed to appear curved. In short a subject shaped like ‘l l’ will look like ‘( )’ in the image!  This is assumed to be how a fish sees the world. The fisheye lens gives straight line only across the center of the frame.

What is Curvilinear Distortion?


Curvilinear distortion is a lens aberration caused in fish eye lenses, in which the focal length varies radially outward from the center of the field. For e.g. take the case of a 14mm fish eye lens. The focal length of the fisheye lens is said to be 14mm, but that is applicable only at the center of the lens. The focal length effectively decreases as you move toward the edges of the lens.

Advantage of Distortion


Barrel distortion can be helpful to offset the problem of softening of corners  in wide angle lenses.

In the next article we will deal with Chromatic Aberrations

Camera Lens Corrections - Vignetting




Camera Lens Vignette
Camera Lens Vignette

Like all other things; lenses are also not 100% perfect; Almost all of the lenses are prone to one or the other imperfections; photographers have no way but to live with them; however they can adopt many techniques to correct these faults either during shooting or post production to even these aberrations.

It is a fact that all types of lens- imperfections cannot be corrected, some can be and some cannot be. In certain situations these imperfections could actually be used to add to the aesthetic appeal of an image. In this article we will discuss three of the most commonly found lens- faults, why they occur, how they can affect the final image etc. Here are also some tips and methods to minimize or eliminate these aberrations altogether; both while shooting as well as in post- production.

The most common imperfections found in lenses are:

  1. Vignetting: vignette is a progressive darkening that occurs in the edges of the image. This phenomenon is known as vignetting; it occurs due to slight reduction of exposure on the corners of an image.
  2. Distortion: it is yet another fault where otherwise straight lines bend inwards or outwards in the photographs.
  3. Chromatic Aberration: is color fringing along high contrast edges.


Vignetting - What is Vignette?


Lens projects a circular image(called the “Circle of Illumination”) on to the sensor; since digital camera’s sensor is rectangle in shape, they only actually record the middle portion of the projected image circle; the rest is cropped out.


Circle of Illumination
Circle of Illumination


The‘Circle of Illumination’ is not the same for all lenses. Some lenses project a very wide circle while some others project a circle which completely fits into a 24x36 capture area. Vignette is rare in lenses which project a wide circle of illumination (typically tilt shift lenses); while in lenses which produce a smaller circle of illumination (e.g. Circular fish eye lenses) vignette may be very prominent.

When light passes through the lens, it directly hits at the center then spreads from there to the fringe areas traveling more distance. This causes in slight reduction of exposure on the corners of the image causing darkening.

There are three types of vignettes namely mechanical, optical, and pixel.

Mechanical Vignetting


Mechanical Vignetting caused due to stacking ND filters
Mechanical Vignetting caused due to stacking ND filters

Mechanical Vignetting (or Physical Vignetting); when light coming on to the lens is blocked by some external objects such as a wrong lens hood for the focal length, filters that are too thick, stacked filters, secondary lenses or elements etc. It appears as a strong, abrupt darkening usually only in the very corners of an image.

How to Eliminate Mechanical vignetting


Mechanical vignetting cannot be avoided by adjusting any of the variables like aperture, focal length etc. Stopping down the lens to a narrower aperture will only make it more pronounced. The only way left is to find the obstruction and removing it.

Optical Vignetting


vignette
Photo by: Niels Linneberg

Optical vignetting is caused due to light fall off towards the edges; which is inherent in the lens design. Most lenses transmit more light at the center than the edges; this too causes vignette. Optical vignetting is most commonly found in some fast lenses and wide range zoom lenses; it is more pronounced when focusing on distant objects and when shooting wide open.

How to Eliminate Optical Vignetting


Optical vignetting could be easily eliminated by stopping down the lens to a narrower aperture (higher f number).

Pixel Vignetting


Pixel vignetting occurs as a result of the physical depth of photon wells that capture light at each pixel.  It occurs when light entering the well becomes more oblique. Even though this is a digital imaging phenomenon, it can be influenced by the lens in use. It mostly occurs when one uses wide-angle and/or wide-aperture lenses.

How to Eliminate Pixel Vignetting


Pixel vignetting can be minimized by using a longer focal length lens and also by changing the direction of light.

Some General Tips for Reducing Vignetting


vignetting
Photo by: Rawhead Rex

  • When lenses designed for full-frame format is used in crop sensor camera; vignette becomes less noticeable as they crop out more from the circle of illumination. A full frame camera however uses more of the circle and there will be more difference in exposure between the center of the frame and the edges.
  • Vignette is most pronounced when lenses are focused at infinity.
  • Shooting with proper exposure will help reduce vignette.
  • Or shoot with the lens stopped down to a narrower aperture.
  • Changing the lens or shooting with a longer focal length lens also could be considered for the job.
  • Artificial Vignetting
  • When one is forced to live along with something; it is natural to think whether any advantage can be made out of that. But that is not the case here, we have already mentioned that certain subjects and situations actually benefit by having a vignette effect so sometimes photographers add vignette to their images while post processing is done; this also enables them to draw attention to a central subject, and to make the frame's edges appear less abrupt. The proper way is to apply Vignetting after image cropping is done (known as ‘post crop vignetting’). Here’s an article that explains how to apply dark vignette effect using Adobe Photoshop.


Let us deal with ‘distortion’ in the next article; have a good day!

Android App Review - LINE camera by LINE Corporation


Android App Review - LINE camera by LINE Corporation





Android App Review -  LINE camera by LINE Corporation. This is a camera and photo editing app that allows the user to edit the photos taken by the app (or other camera apps, for that matter) and edit them by adding framers, stickers, text and graphics from a large collection of predefined objects. A very popular app, the user can share images created, enhanced and edited by the app to facebook and other social networks. Of course, the app has many useful features and many users (including some of our testers) have actually replaced their stock image taking app with this app, using it in preference to the native camera app. A fun app, and one that our testers profoundly loved.

 





  • Score: 4.5. Just short a few features from a perfect 5, nevertheless we loved it!
  • Description: An image taking and editing app, the Line Camera allows taking pics and editing them, passing them through filters and adding stamps, text and fun graphics objects from a large predefined collection.
  • Good Points: Pictures taken with Line Camera are sometimes even better than those taken by the Android native camera app. Editing and filtering pics is mostly easy and adding graphics to an image is also fairly easy.
  • Bad Points: There were a few rare cases where the app froze, even forcing us to shutdown and restart the smartphone. We would have enjoyed an even larger variety of graphical objects to add to pictures and some of our testers thought that the app's ram requirements and processing time were too long between images. And of course, we're waiting to be able to add the same effects to videos and not just photos ...
  • Experience: Installing and working with the app was easy and fun. A few testers reported some problems after an update but they sorted themselves out. It seems most of our testers loved this app more than other apps (like Camera360 Ultimate) but it mostly comes down to individual preferences.
  • Longevity: Most of the testers would keep using this app, a few even started using it in lieu of their native Android camera app. One thought it slowed down his smartphone and uninstalled it after the testing period.
  • Google Play Link - LINE camera by LINE Corporation
  • Google Play Score: 4.5

Android App Review - Cymera - Camera & Photo Editor by SK Communications


Android App Review - Cymera - Camera and Photo Editor by SK Communications





Android App Review -  Cymera - Camera and Photo Editor by SK Communications. This is a semi professional camera and photo editing app, specializing in portraits and face editing in photos. The app has its own facial recognition software which identifies the face and then offers the user a rich variety of editing tools to enhance, change and edit the face, from changing eye colors to changing hair styles and applying make up and "beautifying" effects to faces. A very cool app, it also offers several kinds of filters and a large variety of graphical objects that can be easily incorporated into the photo. Last but not least, it also offers collage building services, to create a large collage of photos.

Our testers mostly loved the interface and learning how to apply the various effects was fairly easy, even for those testers who weren't especially computer savvy. Yet again, with a little work you can create great effects, especially with faces. Facebook fans would find this app very handy as its interface allows quick and painless Facebook sharing of photos.

There's no doubt this is one of the best camera and photo editors for the Android today, with its editing capabilities coming just short of professional editing abilities but with the ability to open the app, take a picture, edit it and post it remarkably quickly.






  • Score: 4.5 out of 5. Most of our testers enjoyed it immensely.
  • Description: A camera app and photo editing app, this app has extensive photo editing capabilities to enhance and change faces, adding makeup, changing hair styles and rearranging faces to make them more "beautiful". In addition to filters and photo enhancing modes, this app also has the ability to add graphical objects from a large library to any photo and the user can also download for free additional effects and objects for adding to pics.
  • Good Points: Different lenses and editing effects providing great pictures and diverse editing abilities for the face. Beautifying capabilities to add makeup, change hair styles and bring out the beauty in faces on the photos.
  • Bad Points: Text editing - adding text to pictures is not intuitive and is a bit hard to find. The app appeals strongly to Facebook users who upload photos regularly - people who're not heavy Facebook users may find the interface a bit clumsy. There were some minor issues with some of our testers who couldn't turn the flash on for taking pictures or others that complained the pictures come out horizontal and stretched instead of vertical. 
  • Experience: To be honest, some of our testers started examining Cymera Camera after working some time with Line Camera. Nevertheless, most of them were quite enthusiastic about Cymera. Most cited the face beautifying effects as one of the best features of Cymera. There were some small problems wtih taking pictures and editing HD photos but those were quickly remedied. In conclusion, the more a person uploads photos to Facebook, the more he or she love Cymera Camera more, at least in our experience. In our words, our teen testers loved it the most. 
  • Longevity: All testers kept the app installed even a few months after started working with it. The ones who liked it most were the Facebook heavy users but none uninstalled it. We expect the Facebook users to keep the app for good ...
  • Google Play Link - Cymera - Camera & Photo Editor by SK Communications
  • Google Play Score: 4.5

Implying Motion in Photography with a Tripod


Implying Motion Photography
Implying Motion Photography


Implying motion in a still photograph appears at first as a contradiction; how to give stillness and movement at the same picture; ingenuity can do that and much more. The above image was shot at a children’s park; please have a look at the lady and a boy watching two children are enjoying their ride on swing.The rope of the swing has vanished in the thin air; while those children in the swing are partly visible. The onlookers are standing still and hence clear and well- focused. It is the blur that gives the feel of movement to the swing. 

There are different ways for capturing movement in our photographs-some of which we have been already covered in our previous articles–titles and subjects listed below.


implying motion
Photo by: James Offer

  • Photograph fast moving subjects using slow shutter speeds.
  • Move the camera along with a moving subject to make the subject sharp but register movement in background elements. – ‘Panning’.
  • Purposefully move the camera during an exposure. – ‘Painting With Shutter Speed’.
  • Zoom in or Zoom out during an exposure. – ‘Zooming’.


In this article we discuss how to make use of blur (generally considered an imperfection) to give a feel of movement to the subjects and make the images more interesting. Yet another technique that can be tried is to Contrast moving subjects to still ones. In a situation where the camera is stationary;lighting conditions are less than ideal; and there are moving as well as stationary elements in the frame; it’s the right scene to try this technique.


Implying Motion Photography
Implying Motion Photography


The combination of all the three factors allows photographer to ‘imply motion in his photographs’. The result will be a composition in which all the stationary elements are recorded in sharp detail while moving subjects appear blurred. 

Typical scenarios that are ideal for this kind of photography are waterfalls, streams, crashing waves, planes, trains and automobiles etc. Simple acts of people like striking a nail; everyday objects like ceiling fans, merry go-round, children playing on seesaw etc. are good subjects.

 Wind is a great facilitator; windblown hair of a model, or it blowing through wheat- field or wild flowers, architecture with clouds moving overhead etc. the list is endless and so is the potential for using this technique.


capturing motion in photography
Photo by: Andree Ludtke


Successfully capturing the right amount of movement in your shots could accomplish many things, it could communicate mood, can be used to eliminate distracting elements in the scene add interest to the photograph and more.

There is no such thing called technical standards in photography; that can make you successful in profession. Free your minds and look up on blur or distortions as creative tools rather than technical mistakes. Become more intuitive in your pursuit of ideas; never fail to experiment any technique to make final image more interesting.

How to imply motion in photographs using a Tripod



implying motion in photographs
Photo by: Morbcn


When our intention is to express a feel of movement through various forms of blurs; think of the following facts. A moving subject appears blurry with slower shutter speeds. The faster the movement of the subject greater the blur for any given shutter speed. Similarly the slower the shutter speed the greater the blur for any given subject speed and vice versa.

Implying Motion in Photography - Step By Step Tutorial



implied motion in photography
Photo by: Phil Hilfiker


  1. Set up your camera on a stable tripod; or any stable surface will suffice.
  2. Compose your frame; there should be both stationary and still subjects within it.
  3. Set your camera to the lowest ISO possible.
  4. Focus on the most interesting stationary subject in the frame and shift to manual focus.
  5. Choose shutter priority/ time value as your shooting mode and set the desired shutter speed.
  6. If the camera’s exposure meter blinks, indicating that the set speed is not possible with current lighting (normally excess light) try using an ND filter or a Polarizing filter. Depending on the lighting conditions; use a darker ND or stack multiple filters.


It is said that great works make great men; then great images naturally make great photographers even.
 
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