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Showing posts with label Photography Composition. Show all posts
Showing posts with label Photography Composition. Show all posts

A Quick Tip to Get More Interesting Shots of Mountains


Ever wondered why most of the mountain shots we see look familiar? It even makes us wonder have we been there, or have I seen it before? The reason is simple; they are all shot from a very familiar angle, from the road at the bottom of the mountain. 


how to photograph mountains
how to photograph mountains


Photographing mountains from the ground looking up will create pictures that look very average coz that is how we are used to seeing mountains. The trick to make your mountain shots interesting is to show the scene from an angle that people don’t normally see. For example shoot from up high; to achieve this you can either drive as high as you can, hike the mountain or an adjacent one, set up your camera and shoot down on or across the mountains. 


mountain photography tips
mountain photography tips


This will picture the scene from a whole new point of view, one the viewers had never seen before, adding much more visual interest to the photograph.


Related Reading


  1. Professional Landscape Photography Tips - Shooting Landscapes in Vertical / Portrait Format
  2. Professional Landscape Photography Tips - Using Telephoto Lenses for Shooting Landscapes
  3. The Golden Rule of Landscape Photography
  4. 20 Common Mistakes Beginners Make in Landscape Photography and How to Avoid Them
  5. Professional secrets of Night Photography for Capturing Stunning Star Trails and Moonlit Landscapes

Professional Landscape Photography Tips - Shooting Landscapes in Vertical / Portrait Format


Talking about formats, let’s first clear the air about what do we mean when we say vertical/portrait or horizontal/landscape. In photography, 'portrait' is a vertical rectangle and 'landscape' is a horizontal rectangle period.

Most novice photographers shoot majority of their pictures in landscape format for the simple reason that they are used to holding the camera horizontally. But as is the case with many other forms of ART; in photography there are no hard and fast rules regarding composition. There is no reason why a landscape should not be shot in portrait format or a portrait should not be shot in landscape format.  It’s all about choices; in fact photography is all about choices, right from the start you have to make many choices regarding the focal length, shooting angle, aperture/depth of field, shutter speed/motion etc.


 Tips for Shooting Landscapes in Vertical Format
Photo by: Kenny Teo


Deciding whether to shoot in vertical or horizontal orientation is yet another choice, a rather important one. It has much to do with your composition technique; the orientation chosen should be able to frame the subject/scene at hand in a visually interesting way, including elements that add to the value of the picture and excluding ones that do not. When you choose between either one of the format you are making a decision as to what is best for your subject/scene and what you want to keep in the photo and what you don’t.

Shooting in Both Vertical and Horizontal Formats


You can shoot the same subject in both orientations; but you can never shoot the exact same picture in vertical and horizontal formats. They need to be composed differently. Deliberately shooting a subject/scene in both vertical and horizontal formats can be a very useful exercise in simulating your creative talents especially in situations where one format seems a very obvious choice than the other.

Tips For Shooting Landscapes in Vertical / Portrait Format



how to photograph landscapes in portrait format
Photo by: Sergiu Bacioiu


Sometimes Landscapes look better in vertical format than in horizontal format, it could be due to the unique characteristics of the various elements that make up the landscape or due to the unique characteristics of the vertical image format. Here are some quick tips to get you started in vertical landscape photography.

1. Break Down Your Composition Into Three Quarters


One trick to make sure your vertical landscape pictures work is to divide the entire frame into three equal quarters, the foreground, midground and the background (just like the rule of thirds grid) and make sure you have some interesting element present in all three quarters.

2. Get Close to the foreground element and Shoot from a Low Angle



tips for shooting landscapes in portrait format
Photo by: Dave Toussaint

In the previous tip we have mentioned the importance of having one interesting element in all three quarters. Now when you compose your frame, get as close to the foreground element of interest as possible and shoot from a very low angle. This accentuates the visual weight of foreground element and any leading lines present in the composition thus making your picture interesting. You should set the focus at the foreground element (which should ideally be at the hyper focal distance) and use a narrow aperture so as to get a large enough depth of field to render everything in the frame acceptably sharp.  A tripod which can be set to very low angles (preferably one without a center column) could come in handy during such situations.

3. Shoot from a High Angle with Camera Tilted Down



vertical landscape photography
Photo by: Pavel P


This technique works well when shooting vertical landscapes with an ultra wide angle lens. Raise your tripod high above the subject and tilt the camera downwards, the perspective distortion thus caused gives more emphasis to the foreground elements all the while including a full sweep of the vast landscape in the frame.

4. Use Rule of Thirds as a guide to Place the Horizon



rule of thirds in landscape photography
Photo by: Jens Ceder


The rule of thirds gird could be used as a guideline to place your horizon while shooting landscapes in vertical format. In most cases better results are achieved by placing the horizon in line with either the top or bottom grid line. The choice of which one to choose should be based purely on what works well for the scene, the mood you wish to covey to the viewer and whether you have an interesting sky or not in your scene. In majority cases it works better than placing the horizon dead in the center of the frame. But if you are looking for symmetry (trying to capture reflections in water etc.) then placing the horizon line in the center such that it divides the frame into two equal parts could work well.

5. Make Use of Negative Space

Leaving some empty space on the top of your picture (usually the area covered by the sky) could work well to simplify your composition and to direct the viewers’ attention directly to the lower part of the image. It could also work well in a commercial point of view as graphic designers love empty spaces which allows them the flexibility to pop a photo caption onto an image, reverse out a headline, run body copy around an interesting shape, or even drop in a text box.

6. Shoot Vertical Landscapes with a Telephoto Lens

A telephoto lens makes background elements appear larger in comparison to the foreground elements. Thus it compresses the perspective, making objects that are in reality far apart from each other appearing as if they are closely stacked together. This compression of perspective makes them ideal tool for capturing vertical landscapes especially scenes that comprise of subjects at different distances and heights like mountains. Read more on this here - Using Telephoto Lenses for Shooting Landscapes.

7. Use the Tripod Mount on your Lens


If you are shooting landscapes using a telephoto lens, chances are the telephoto lens will feature a tripod mount. If so use it to attach the lens and camera to the tripod, this way you have the flexibility to keep the tripod head in normal position and just loosen and turn the camera to shoot vertical. Thus making sure the center of gravity stays where it is supposed to be.

8. Invest in an L-Bracket

If you shoot frequently in vertical orientation, it is a good idea to invest in an L Bracket. An L bracket is an L shaped plate used to mount the camera on a tripod. It allows easy switching from horizontal to vertical format without tilting the tripod head ensuring better stability.

9. Invest in a Battery Grip


Battery grip also known as vertical grips is a very useful accessory if you shoot a lot of vertical shots.  Battery Grips have a lot of advantages. It allows you to load a choice of one or two battery packs thus doubling the battery life. This is especially useful when shooting videos or using Live View mode that use more power. In addition, with the included battery magazine, you can also run the camera off six AA batteries. It also provides full vertical shooting controls to enhance camera handling, especially for shooting vertical pictures. It has a large number of operating controls as well: shutter button, Main Dial, multi-controller, AF point selection button, AE lock/FE lock button, AF start button, and multi-function button.

10. Shoot Vertical Panoramas



vertical panorma
Photo by: Bossi


Yes panoramas could also be vertical; you shoot a vertical panorama by shooting a series of shots in the landscape orientation starting from low to high and stitching them together in software during post production.

If you are not already doing so, make a habit of shooting scenes in both vertical and horizontal formats. And do post some of your interesting verticals in the comments below.

An Introduction to the three fundamental elements of composition Figure, Ground and Space.

Figure & Ground


Being one of the essential elements in the language of graphic design; the principle of figure/ground constitutes one of the most basic laws of perception which is used extensively to compose photographs better.


photography composition ideas
Photo by: Mike Baird


To put matters simply, figure/ground principle refers to the ability of the human mind to separate various elements in a frame on the basis of contrast: dark and light, black and white, background and foreground, positive and negative, subject and background etc.

In this article we will discuss the three fundamental elements of composition, the division of space, figure and ground and learn how to apply them in photography.


photography composition rule
Figure, Ground and Space


What is Space?


Space refers to the photographic frame, the same as Format for painters. It is the flat surface delimited by the edges (or "frame") of a picture.

What is Figure?


Figure refers to the focal elements the line, shapes etc. that are called the positive shapes or space. It is what we pay attention to in a composition. There can be multiple figures in a composition; generally recognizable shapes are immediately identified as figures. But in case of abstract compositions what the viewer perceives as figure will depend on many factors like the design elements, proximity, proportion, contrast etc. and their inter-relationship.

What is Ground?


The space excluding the figure in a composition is the ground. It could be the space around or between figures and is often addressed as the negative space. As the eye move around a picture the brain constantly re-assesses what is figure and what is background. Objects can go from figure to ground and back.

The Relationship between Figure and Ground



photography composition rules
Photo by: Thomas Leuthard


Figure and ground are inseparable elements; you cannot have one without the other. The figure always defines the ground and the ground defines the figure. When you draw the figure in a composition, you are simultaneously drawing the ground; the edges of one are the edges of the other.

Figure / ground relationships can also be affected by the color of the background in which the composition is placed.

Types of Figure / Ground Relationships


There are basically three types of figure / ground relationships

Simple Figure Ground


When an independent object is juxtaposed in a space that that functions as its surrounding ground there exists a simple figure / ground relationship. In simple figure / ground relationships the figure is clearly visible and separate from its background. The figure is always positive and active, whereas its ground is always negative and passive.

When the ground completely surrounds a figure, it creates an illusion of depth. 


figure and ground illusion
figure and ground illusion


Depending upon the figure and the ground it could appear that the figure is sitting on top of the ground or the figure could appear as a hole punched out of the surface.

But in cases where the figure is not completely bound by the ground, or when the figure contacts an edge or two of the format; it splits the ground into a series of shapes. 


illusion created by figure and ground
illusion created by figure and ground


Now instead of creating an illusion of depth the new arrangement emphasizes the flatness of the composition.

Figure Ground Reversal


When figures in a composition functions as the ground and when ground in a composition function as figure it is called figure ground reversal. Basically roles of both elements are reversed or inverted. Typically this is caused by shapes that form in the spaces located between the parts of the figure, creating the reversal. 



Figure Ground Reversal
Figure Ground Reversal


Figure ground reversal can be used to add a dynamic feel to otherwise neutral white space in a visual composition. In a simple figure ground composition, the borders are perceived as limitless, whereas in compositions involving figure ground reversal there are visible boundaries.

Figure Ground Ambiguity


When the graphic relationship between different elements (figure and ground) in a composition is undetectable, yet fully comprehensible it is said to have figure ground ambiguity. It occurs when pair of objects shares the same edge or profile.

The most famous example of figure–ground perception is probably the faces–vase drawing that Danish psychologist Edgar Rubin described.


figure and ground in photography composition
Courtesy: Wikipedia


This drawing exemplifies one of the key aspects of figure–ground organization, edge-assignment and its effect on shape perception. Notice in the faces/vase drawing, the perceived shape depends critically on the direction in which the border (edge) between the black and white regions is assigned. If the two curvy edges between the black and white regions are assigned inward then the central white region is seen as a vase shape in front of a black background. No faces are perceived in this case. On the other hand, if the edges are assigned outwards, then the two black profile faces are perceived on a white background and no vase shape is perceived. The human visual system will then settle on either of the interpretations of the Rubin vase and alternate between them.

Using Figure Ground in Photography Composition


photography composition
Photo by: MichaÅ‚ Koralewski



Human mind has a tendency to seek out distinctions between the figure (usually the main subject) and the ground (background). A good composition is one that perfectly balances the two elements in such a way that the ground helps define the figure and give it more emphasize. The viewers’ attention should be immediately transferred to the figure and ground should always play the role of supporting the pictures main point of interest by defining the shape with lines, adding colors that create mood or by establishing reference points like place.

There are many ways of distinguishing figure from ground, some commonly used techniques are;



using color contrast in photography
Photo by: Martin Gommel

  1. By using Contrasting Colors.
  2. Using Shallow depth of field to blur the background.
  3. By placing the figure in areas that command most attention (eg. Intersection of Rule of thirds lines).
  4. Giving more prominence to the figure and rendering the ground virtually invisible.
  5. Maximizing the ground that the figure appears to be isolated or insignificant.


Using figure / ground ambiguity as stated in points 4 and 5 above could create interesting optical illusions. A Good example will be a landscape with a person in it. However the photographer should be aware of the effect of manipulating the elements have on the pictures.


photography composition technique
Photo by: Thomas Leuthard


In our case giving prominence to the ground in a way that overwhelms the figure will help reinforce the feeling of isolation and loneliness whereas doing the opposite can create a feeling of intimacy.



composition tips for photographers
Photo by: Riccardo Romano

The Importance of Establishing the Relationship Between Figure and Ground


We have seen how we could effectively distinguish between figure and ground. Now comes the final and most important part; establishing the relationship between figure and background in the composition. Anyone who views the image should be able to tell how the figure relates to the background; without such a connection, the figure will feel out of place and create a feeling in the viewer’s mind that it does not belong there.


photography composition tips
Photo by: Justin C


The connection could be made using many elements like color, contrast, form, tone, texture, depth of field, line of sight etc. in some cases the connection occurs naturally in the frame but in cases where it doesn’t the photographer should take extra effort to create a connection by altering elements in the scene or by changing shooting angle, framing etc.


Related Reading


  1. Using Leading Lines for Better Photography Compositions
  2. Using Lines to Improve Photography Composition
  3. Photography Composition Tips – Balance
  4. What is perspective and how can we use it to improve the composition of our photographs?
  5. Using Backgrounds to Improve Your Photography Composition

Using Leading Lines for Better Photography Compositions


Leading lines are powerful compositional elements that help you control the way the viewers’ sees your photograph. They can be used to add impact to the picture, place emphasis to a particular part, to tell a story or to draw a connection between different elements in the picture.


lines in photography
Photo by: Debasisphotography


Leading lines could be found everywhere, formed by natural or artificial elements. They could be straight, curved or any other creative variation. The important thing is to arrange them in your composition so that they lead the viewers’ eye towards the most importing part of your photograph.

Some examples of leading lines found in nature are rivers, shorelines, waves, sand dunes, rows of trees etc.


leading lines in photography composition
Photo by: Hamed Saber


Roads, fences, bridges, rows of street lights, lamp posts etc. are examples of man-made elements that make great leading lines.


leading lines in photography
Photo by: Thomas Leuthard


Leading lines should be used to lead the eye of the viewer within your composition. If one is not careful, wrongly aligned leading lines could easily work against the composition by leading the viewers’ eyes away from the main subject.

Tips for Using Leading Lines in Photography Composition


Use Large Depth of Field


While composing your frame using leading lines it is highly recommended that you use narrow aperture (large f numbers, f/16, f/22 etc) for large depth of field to ensure that everything from the foreground to infinity is in acceptable focus.


photography composition technique leading lines
Photo by: Wolfgang Staudt


The very reason for using leading lines is to draw the viewers’ attention from the foreground to the elements in the background and if those elements in the background are not sharp then the whole exercise becomes futile.

Different Types of Lines Evoke Different Emotions


The effect they have on the picture varies depending upon the orientation and direction of the lines. Horizontal lines convey a sense of width, stability, calm, lazy, security, relaxation, constancy and timelessness. Whereas Vertical Lines convey a sense of strength, height, integrity, solidity, dominance, power, peace and tranquility, substance or permanence.

Diagonal lines have a more dramatic, dynamic effect than verticals or horizontals. Direction of diagonal lines also affects the picture it is said that a line going from bottom left to upper right moves in a perpendicular direction and has a much stronger compositional impact than one going from upper left to lower right. 


leading lines
Photo by: Muzaffar Bukhari


The reason for this is that we are used to reading from left to right and this feels natural. So in contrast lines going in the opposite direction seem dynamic.

Creative Uses of Leading Lines


As per the situation and the intended final effect, a creative photographer could use leading lines to:

1. Add a feel of depth and perspective


Using strong leading lines that originate from the foreground and lead the viewers’ eyes to the background.



using leading lines for better photography compositions
Photo by: Chris Smith


For example.

The converging lines formed by a road or a railway track can be used to emphasize distance and scale in a landscape picture.

2. Guide the Viewers’ Eyes from One Part of the Picture to Another



photography composition rules leading lines
Photo by: Nicholas A. Tonelli


Here lines capture the attention of the viewers and transfer it to the other end of the line where the main point of interest of the photograph will be located.

3. Retain the Viewers Attention



circular composition using leading lines
Photo by: Paul Bica


A third use of leading lines is to create a cyclical composition where leading lines would lead the viewers eyes in a circular motion; from one element to another to another finally back to the original element and so on. What this does is to help the photographer retain the attention of the viewers’ longer and making them pay attention to all the important elements in the picture and understand their inter-relationship.

4. Using Lines as the Main Subject of the Photograph



leading lines composition
Photo by: Bernat Casero


In certain situations where there are very strong lines present in the scene one could compose the picture in an abstract manner where the lines themselves are the main subject.

5. Suggested or Implied Lines


These are lines that you don’t see; but they are always present and are very powerful elements that could make or break a shot.


leading lines photography
Photo by: Rodrigo Cayo


For example.

Possibly the best example to narrate implied lines is the gaze of a human subject. There exists an invisible line originating at the eyes of the subject and extending in the direction in which the eye is looking.  Although invisible, it is probably the strongest line present in the scene. Consider the image given above, see how the viewers' attention is directed onto the yellow taxis (which is where the person on the roller board appears to look).

Related Reading


Using Lines to Improve Photography Composition


Lines are one of the most important design elements in photography and mastering how to use them in your images will go a long way in improving your photography composition. Lines serve many functions in a photograph; if in one picture they act as a very functional element; in another they may serve a very artistic purpose.


line in photography
Photo by: Thomas Hawk


At a functional level lines could be used as dividers, frames, focal points, borders etc and also to unify or accent certain parts of a composition. In some cases lines could even act as the main subject of the photograph. Artistically lines could create a sense of tension, mood and drama thus adding an emotional content to the image. They could also be very effectively used to lead the viewers’ eye through the photograph thus help keep the viewers’ attention focused on the image.


Using Lines to Improve Photography Composition
Photo by: Joe Penniston


Lines are all around us, both natural and manmade; a photographer should learn to seek them out and incorporate them in his/her compositions in a way that adds visual impact to the photographs. However learning how to use lines takes time and practice to master it. One technique that will help you master its use is to make a habit of asking yourselves one question “are there any lines in the scene which form an interesting pattern that I could accentuate so as to add visual interest to the photograph?” before pressing the shutter button.

There are different kinds of lines and each one of them have a different impact on a photograph, let us take a look at some of the most important ones.

Types of Lines and Their Effect on Photographs


Straight Lines



straight lines in photography composition
Photo by: Moyan Brenn


Straight lines attract the viewers’ attention and transfer it from one end of the line to another.  This property of the straight line could be used effectively to direct the viewers’ attention to the most important part of the image. But there is one catch; when there are straight lines in your composition the viewers’ eye travels fast from one end of the line to the other practically ignoring elements in between. The longer and straighter the line is, the faster the eye travels along it. So one need to be extra careful when using straight lines in his/her composition and remember not to place important elements along the lines as the viewers’ eye will most probably skip those areas while travelling from one end of the line to the other.

Vertical Lines


Vertical lines in photography compositions convey a sense of strength, height, integrity, solidity, dominance, power, peace and tranquility, substance or permanence.  They could be used as guide paths, dividers or frames. Composing your shots vertically will lengthen vertical lines and make them appear taller and more impressive. 


vertical lines in photography composition
Photo by: Frank Wuestefeld


The important thing to remember is to keep vertical lines in your composition as straight as possible; this could prove to be tricky (unless you are using a tilt shift lens) when shooting very tall objects due to diminishing perspective when we look up on them. The trick to handle such situations is to keep at least one line in the center straight or completely ignore the concept and compose such that diagonals appear prominent in the picture. 

Horizontal Lines


Horizontal lines in photography compositions convey a sense of width, stability, calm, lazy, security, relaxation, constancy and timelessness. Composing your frame in horizontal format will help further enhance the emotions created by strong horizontal lines. 


horizontal lines in photography composition
Photo by: miuenski miuenski


One thing to remember when you have horizontal lines in your composition is to make sure they are completely level across the frame. Human eyes could easily perceive even a slightly skewed horizontal line and the picture will appear as off balance making the viewers’ feel uncomfortable.

Diagonal Lines


Diagonal lines have a more dramatic, dynamic effect than verticals or horizontals. When verticals and horizontals are restricted to up-down and left right movements diagonals can go in any direction including up down and left right. Thus they can perform functions of vertical and horizontal lines and more and that is what causes the dynamic feeling.


diagonal lines in photography composition
Photo by: Joe Penniston


Diagonal lines are very effective for leading the viewers’ eye into the main subject matter or to create a sense of depth, action or movement in the picture. The effects of diagonals are maximized when they intersect with other lines creating a sense of tension. When vertical and horizontal lines create a sense of stability, calm and peace a series of diagonal lines at slightly different angles create the exact opposite making the picture appear tense, chaotic and unstable.

Converging Lines and Diverging Lines


When lines coming from different parts of a photograph lead towards a common intersection or area, they are called converging lines. Similarly when lines lead away from a common intersection or area, they are called diverging lines. They are strong compositional elements and proper use of converging and diverging lines could create highly artful compositions.


converging lines and diverging lines in photography composition
Photo by: José Luis Mieza


Converging lines could easily create a sense of depth and distance, one can compose the frame in such a way that the lines lead vertically from the foreground to the distance or position them at an angle to convey a sense of motion. 


converging lines in photography composition
Photo by: Barney Livingston

No matter how you position them in your picture, they always lead the viewers’ eye into the frame and placing your main subject where the lines meet would make sure that viewers’ attention is immediately drawn to it.

Curved Lines


Curved lines are another powerful element that could be used to lead the viewers’ eye in to the image. Curved lines reflect emotions of relaxation, nature, sensuality, etc.   However unlike straight lines that draw the viewers’ eye directly into the image, curved lines allow the eye to explore the image in a leisurely manner.


curves in photography composition
Photo by: Julian E


One classic example of curved lines in photography composition is the “S curve” which is an all time favorite of photographers. Shaped roughly like the letter S, the S curve is often used to convey a sense of movement and to divide the scene into two equal parts.

For example


curved lines in photography composition
Photo by: matthew Fang

Imagine two roads, one straight and one with many curves. The straight road simply implies a direct route from point A to point B and thus is uninteresting. But the meandering road conveys a feeling of casual, lazy, relaxed, unhurried journey and thus appeals more to the viewer.

Implied lines or Suggested Lines



Implied lines or Suggested Lines in photography composition
Photo by: Evan Leeson


Implied lines are those that can’t be seen, they can be created or happen naturally without our knowledge but are still a clear part of a composition. In photography implied lines are just as important as visible lines. Suggested lines can be formed as a result from forms and shapes converging or diverging in a way that naturally creates a line or visual path. Also when a person or any living thing is included in the frame the direction in which the eye is looking forms an implied line.

As photographers we need to be aware of these special lines while composing our images, as they are very powerful elements and if ignored could easily weaken an otherwise powerful composition.


Related Reading


  1. Photography Composition Tips – Balance
  2. What is perspective and how can we use it to improve the composition of our photographs?
  3. Using Backgrounds to Improve Your Photography Composition
  4. Using the Foreground to Improve Your Photography Composition
  5. Using Patterns in Photography Composition

Photography Composition Tips – Balance


When we look at a picture, our unconscious mind is in constant search of a balance between different elements in the scene and if it cannot find what it’s looking for it causes a sense of tension, fear, insecurity etc. So it is important to achieve visual balance in your compositions to make the viewers’ at peace and let them enjoy the picture.

What is Balance in Photography?


Whenever a person looks at a picture, his/her unconscious mind has a tendency to divide the picture into two equal halves. The mind then searches for balance between elements on both sides of the frame. 


photography composition tips
The frame divided into two equal parts

For example

Image a See Saw, running horizontally through a scene or a board balanced on a fulcrum. 


balance in photography composition
balance in photography composition

Now imagine your photographic frame is placed on the see saw such that the center of the frame is exactly at the center of the See Saw. 


photography composition techniques
photography composition techniques

When you place different objects on both sides such that their weights are equaled out, the see saw stabilizes in a horizontal position. Such a composition is said to be a balanced composition.

Every element in your composition carries a certain amount of visual weight. To keep your image balanced, you must compensate for each element with a counter-weight. Different colors, different levels of contrast, and different subject positions all carry different visual weights.

Formal Balance or Symmetrical Balance


Formal balance could be easily recognized by subjects that are uniform in shape. When one or more identical subjects are repeated symmetrically on each side, the composition is said to have formal or symmetrical balance.


basics of photography composition
single object balanced in the center

In the diagram given above a single object in the center of a picture is well balanced. We can also balance the seesaw by placing two identical objects at equal distances to the fulcrum on either side as shown below.



photography composition rules
two identical objects at equal distance
 from the center perfectly balanced

Informal Balance or Asymmetrical Balance


When one or more dissimilar elements balance each other the picture is said to have asymmetrical balance. As the subjects are not uniform asymmetrical balance is less obvious and when used right creates much more visual interest in the viewers mind than symmetrical balance.

However in real life it is not as easy it seems as the scene we intend to photograph could have all sorts of shapes, patterns, colors and textures and assigning visual weight to them and balancing them all out is a tricky affair. The important thing to remember here is that various sizes and forms can be balanced as long as their respective “weights” are the same on both sides of the fulcrum.

For example

If you have a large object on one side of the image, it should be counter balanced with a smaller object or objects to make a good composition. Compared to symmetrical composition, use of asymmetrical balance is more challenging and requires more artistic skill and training to do well.



rules of photography composition
one large object balanced by many smaller objects

You don't have to balance color with color, or light with dark. You can mix and match your visual weights! For example, a counter-weight to a large, bright area might be a small dark object.

Radial Balance


A picture is said to have radial balance when all the elements of the design “radiate” from a center point in a circular fashion and the visual weight is distributed equally. 


radial balance in photography composition
radial balance in photography composition

Radial balance is a great way to lead the eye directly into the focal point in the center of the picture.

How to achieve good balance in your images?


Achieving good balance in photography requires the right combination of different elements like shapes, colors, contrast, space, size, texture, eye direction etc. Understanding the factors required to create pictorial balance is essential for you to produce good pictures. Once you gain an understanding of the principles of pictorial balance, achieving balance in your photographs takes little effort.

Techniques to Achieve Balance in Photography Composition


Factors that influence Visual Weight


There are many factors to consider to make pictures appear balanced. Some of them are:

Size


The simplest of all concepts is that of size; larger feels heavier than smaller ones.


photography composition tricks
larger objects feels naturally heavier than smaller ones

Position


The farther an object is from the center the greater is its visual weight. A large object near the center on one side of the frame can be balanced by a much smaller object placed near the edge on the other side.

For example

In the diagram given below, to the left, we have a larger object closer to the mid-point, with a much smaller object on the right far away from center. This is similar to an adult sitting closer to the center of a beam in order to teeter-totter with a child.


composition in photography
smaller object farther from the center could balance
a much larger object nearer to the center

Similarly objects in the upper part of a picture seem heavier than objects of the same size in the lower part of a picture.


rules of composition in photography
objects placed higher up have more visual weight

So using these tips you can maximize the visual weight of any object in your composition by placing them towards top right or top left corners.


composition tips for photographers
objects placed in areas of maximum visual weight

One other rule is that elements on the right side of an asymmetrical picture appear to have more weight than elements of the same size on the left side of the picture.


photography composition tip
the star on the right appears to have more visual weight
than the one on the left even though both are exactly
the same size

Texture


Objects which have a lot of texture appear visually heavier than ones with simple texture or no texture.



basic photography composition
the spade shape on the right which have texture
appear to have more visual weight than the one on left

Isolation


An isolated element (one with a lot of white space around it); appear to have more visual weight.


digital photography composition tips
the diamond shape on the right appears to have more
visual weight than the diamond on the left but in
reality both are equal in size.

Value


Objects that are darker feels heavier than objects that are of a lighter tone.


composition photography
black star on the right feels heavier than the grey one


Value Contrast


Higher the value contrast in an image the greater is its visual weight.


photography composition
shape on the right appears to have more visual
weight due to more contrast with its background


Quantity


Multiple small objects can balance one larger object


rules of photography composition
smaller objects balancing out one large shape


Orientation


A diagonal orientation carries more visual weight than a horizontal or vertical one.


diagonal orientation in photography composition
diagonal lines on the right have more visual weight
than horizontal lines on the left

Shape


Elements that have more complex shapes feel heavier than those with simple shapes. 


composition techniques for photographers
the shape on the right feels heavier than one on the left

Similarly regular shapes seem to have more weight than irregular shapes. 


shapes and photography composition
the square being a regular shape appears to have
more visual weight than the shape on the left

Also intensely interesting objects seem to have more compositional weight.


composition rules for photographers
the shape on the right being more visually interesting
carries more visual weight than the triangle

Color


The brighter and more intense its color, the heavier the element will feel.


color and photography composition
red star on the right has more visual weight than the
black star on the left

Direction


The directions in which figures, lines, and shapes appear to be looking or moving within the picture area are also important to balance.


direction in photography composition
direction in photography composition

For example

The direction in which the subject is facing/looking/moving creates a feeling of direction and could easily upset the balance of otherwise perfectly balanced pictures. So whenever a feeling of direction is present in the composition balance must not be judged on the size of the subject alone.

A perfect understanding of the factors that affect balance will go a long way in improving your photographic composition; but remember photography is art and creating perfectly balanced pictures all the time is not what we consider artistic expression. There are situations/subjects/scenes that actually benefit from a little imbalance or tension so try manipulating the balance intentionally to produce tension in your images and see how it works too.


Related Reading


  1. What is perspective and how can we use it to improve the composition of our photographs?
  2. Using Backgrounds to Improve Your Photography Composition
  3. Using the Foreground to Improve Your Photography Composition
  4. Using Patterns in Photography Composition
  5. Using Symmetry to Improve Your Photography Composition




 
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